The Map

18 October 2021 - 12 March 2022

The Magdalene Series

The Map

A collaboration by Alice Maher and Rachel Fallon

Gallery One

18 October 2021 - 12 March 2022

The Map by Alice Maher and Rachel Fallon

The Map, a collaborative work by artists Alice Maher and Rachel Fallon is the second exhibition in the Magdalene Series at Rua Red, curated by Maolíosa Boyle.

The series features the work of five of Ireland’s leading artists Amanda Coogan, Jesse Jones, Grace Dyas, Alice Maher, and Rachel Fallon. They were commissioned by Rua Red in 2018 to create work in response to the history and legacy of Mary Magdalene and her association with the incarceration and institutionalisation of women, and to propose a new world uncurbed by religion, political, or societal doctrine. It is a world viewed through the lens of contemporary feminism and feminist theology.

The Map is a monumental textile sculpture spanning the enormous space of Gallery One. With its own continents, winds, currents, and constellations, The Map draws the viewer in, inviting a reorientation. Its richly worked surface is an epic Mappa Mundi where the structures and languages of cartography are used to imagine and re-imagine the life, legacy, and mythology of Mary Magdalene and her impact on women’s lives. An alternative topographic and psychic landscape is uncovered in this witty, complex un-picking of the established narrative of Mary Magdalene.

“Maps are neither mirrors of nature nor neutral transmitters of universal truths. They contain silences as well as articulations, secrets as well as knowledge, lies as well as truth.” - 'The Sovereign Map: Theoretical approaches to cartography throughout history' by Jacob, Conley and Dahl.

The Map comprises highly detailed hand-embroidered, sewn, painted, appliqued, printed, found, and crocheted components. The intense two and a half years of labour over three lockdowns to create the map is a testament to the invisible labour of women everywhere.

Maher and Fallon utilise the iconography of Renaissance maps and medieval tapestries, as well as the language of Victorian ‘cartes de tendre’ and moral schemas such as 'the Pilgrim's Progress', to subvert and challenge the very belief systems and power structures that these maps were established to uphold.

Visitor Comments

“This is the most moving piece of art I have ever encountered. It stirs latent emotions going back centuries. Wow.” - Pauline O.
“Magnificent. Powerful again on my second visit, think of many women who shall not be forgotten.” - Róisín W.
“A deeply moving piece of work that helps shed some light on a dark piece of Ireland's History.” - ANon
“Absolutely fabulous masterpiece ” - Maya
“Beautiful piece. Feelings of sadness and unity with all the women who came before me.” - Anon
“Monumental, I am blown away. Thank you.” - Claire H.
“This is fascinating and beautiful, revealing and thought provoking. Great idea to do our shared history of women as a map. I'm returning with opera glasses to get the full benefit. Congratulations.” - Brigid O.
“I felt like I'm part of this map in my soul, as my story, all our stories are there. Amazing feeling, spectacular art! Thank you.” - Jalita M.
“Incredible installation and feat of work, skill, craft, and thought. Just wow!” - Joanna H.
“Amazing to finally see it, pretty fucking speechless. Spectacular. Legends, well done Rachel, Alice and Sinéad.” - Susan M.
“Wow! Mind blowing piece! Love it. Thank you.” - Midnight Wayne
“The most AMAZING art piece I've ever seen!! Well done.” - Anon


Alice Maher

Alice Maher has produced some of the most iconic images in contemporary Irish art. Her work is embedded in the realms of nature and culture, subversion and transformation, mythology and memory. Her work encompasses drawing, sculpture, print, textiles, photography, installation, and film. Alongside her individual practice, Maher is known for her collaborations with other artists, dancers, composers, and writers such as Doireann Ní Ghríofa, Aideen Barry, Junk Ensemble, Trevor Knight, and the Artists’ Campaign to Repeal the Eighth Amendment. The Irish Museum of Modern Art presented a major retrospective of her 30-year practice in 2012. Her works can be seen in many international collections including Boston Fine Art Museum, The Hammer Museum, The British Museum, Centre Georges Pompidou, IMMA, Hugh Lane Municipal Gallery, the Crawford Gallery, the Ulster Museum, and the Arts Councils North and South. She was a founder member of the Artists’ Campaign to Repeal the Eighth Amendment.

Website | Instagram

Rachel Fallon

Rachel Fallon is a visual artist who makes work around themes of protection and defence, looking at territorial wars in domestic and maternal spaces and addressing the topic of women’s relationships to society. Her work encompasses sculpture, drawing, photography, and performance and is firmly rooted in the processes of making.

As well as an individual practice, she regularly collaborates with Irish and international artists and collectives; including Artists‘ Campaign to Repeal the Eighth Amendment, Desperate Artwives, Grrrl Zine Fair, and The Tellurometer Project.

The two disparate ways of working fed into one another and are therefore equally important parts of her practice. She is a founding member of pff publications - a feminist zine. Her work is held in public and private collections including the Arts Council of Ireland Collection, the National Museum of Ireland, and Goldsmiths Womens‘ Art Library, U.K.

Website | Instagram

Magdalene Series

About The Magdalene Series

The Magdalene Series is a programme of exhibitions, interventions, performances, and events curated by Rua Red Director/Curator Maolíosa Boyle and features five of Ireland’s leading artists: Amanda Coogan, Alice Maher, Rachel Fallon, Jesse Jones, and Grace Dyas. Rua Red commissioned the five artists to research and produce new work in response to Mary Magdalene.

The Magdalene series will explore Mary Magdalene’s associations with the incarceration and institutionalisation of women and other themes such as forced labour, morality, shame, reparation and penitence.

The series will propose a new world, uncurbed by religious, political or societal doctrine, a world led by the experience of Magdalene and viewed through the lens of contemporary feminism and feminist theology.

Mary Magdalene has been a subject of fascination and curiosity throughout history. She is a binary creation: conflicted and mysterious, noble and humble, strong yet morally weak, beautiful and haggard, passionate yet penitent, erotic and unreserved, reclusive and solitary. The Magdalene is the earthly, carnal and sensual counterpart to the celestial Virgin. She embodies humanity and humility - she sweats, cries, and bleeds. The Magdalene Series is the culmination of a three-year collaboration between the artists and curator. The process has also included input from leading international theologians, academics, and researchers.

The Magdalene Series is generously supported by the Creative Ireland Programme South Dublin, The Arts Council and South Dublin County Council Arts Office.