The paintings are a melting pot of techniques and ideas. Constructed on a series of opposites, thin glazes are contrasted with luscious thick globular paint, and abstracted marks are juxtaposed with representational images of mountains, rocks, and things beyond recognition. A gradient of paint can be read as a sky, a blob of paint, a rock, or a vortex into another world; these pictorial interventions lead to an often-fragmented reading of the work. One that encourages the viewer to look closer and question the reality of what they are viewing.